An ambitious project that began with large concepts and keen criticality, has devolved into deceit, manipulation, grasping ambition and despoiled respect.
My name is Davina Montrose. While I am a commercial crimes investigator, my art school education causes me to look at every case, or its sleuthing, as a creative work in itself – while conversely, and troublingly, I see every artwork as a scene of crime.
I’ve set out the evidence of this investigation at the Art Museum.
On the following pages, an accompanying dossier: